In response to the interviewer’s
question about the connection between Bruce Conforth’s writing and his music, Consforth
describes the connection between when he does his best work in both. He says
that this happens when he forgets the action of writing or playing music and it
flows out of him. I think that the way Conforth describes writing being what is
writing him instead of the opposite is his way of describing the unconscious
process. Discussing being a fine artist and painter and the idea of the process
being a performance Conforth explains that he needs to feel physically involved
and consumed by that art making process. He talks about this all-consuming aspect
of it leading to him working on basically one project at a time. I really
connect to both of these concepts because that’s how it is for me when I paint.
I get totally lost in it.
His perspective is that writing is
important because ultimately we are all made up of stories and that is our only
lasting imprint on the world. He addresses the idea that writing about culture isn’t
ever just writing about culture but creating culture. Art and writing aren’t
just a commentary on what is going on in the world, but they intervene into a
cultural moment and alter it. I found this particularly amusing because it is
directly related to the basis of a class on 19th century French art that
I am taking right now.
In the classroom he teaches the
process of refining and working general to specific in writing. Its funny
because of how this is how I’ve often been told to paint, but I have never
listened. If I had to break it down I’d say I usually work specific to specific
in a different way. He also talks about his belief that the only way to be a
good writer is by being a good reader. For me the way I learn to branch out and
try new techniques in my painting is by looking at others works. When I go to
art museums I take pictures not of whole paintings, but of bits and pieces of
paintings. I photograph snippets of small powerful painterly marks that I
connect to.
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